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April 29, 2010

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Experimental video, video art, electronic art, alternative TV, community video, guerrilla television, computer art: these are a few of the labels that have been applied to a body of work that began to emerge in the United States in the l960s.

Marshall was educated at University College School, an independent school for boys in Hampstead, a suburb of North London. He left at the age of 16, and did not attend university or any other higher education institution.

His extensive experience in international business started in shipping in 1951 with Orient Steam Navigation Company, thereafter in vehicle rental and leasing for 23 years, initially with Hertz and then Avis, during which time he lived and worked in the United States, Canada, Mexico and the United Kingdom. In 1971 he was appointed Executive Vice President of Avis[1] where he became President and Chief Executive in 1976, based in New York City. Following the take-over of Avis, in 1979 he was appointed Executive Vice President of Norton Simon Inc., and Co-Chairman of Avis.

Colin Marsh Marshall, Baron Marshall of Knightsbridge (born 16 November 1933) is a British businessman and member of the House of Lords.

Marshall was educated at University College School, an independent school for boys in Hampstead, a suburb of North London. He left at the age of 16, and did not attend university or any other higher education institution.

His extensive experience in international business started in shipping in 1951 with Orient Steam Navigation Company, thereafter in vehicle rental and leasing for 23 years, initially with Hertz and then Avis, during which time he lived and worked in the United States, Canada, Mexico and the United Kingdom. In 1971 he was appointed Executive Vice President of Avis[1] where he became President and Chief Executive in 1976, based in New York City. Following the take-over of Avis, in 1979 he was appointed Executive Vice President of Norton Simon Inc., and Co-Chairman of Avis.

Marshall was hired by Lord King of Wartnaby

Music with Roots in the Aether, an artwork by Robert Ashley, is comprised of seven two-hour programs featuring noted American experimental composers, created during the 1970s. Each program is two hours long and consists of one part Landscape / Interview (one hour) and one part live performance

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