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July 01, 2011


They take it better than they take the news that Yoko has no desire whatsoever to marry the father — the non-Japanese father, mind you! — whom she considers a layabout.

Too occupied with learning more about Wenye and his music to let the trouble at home affect her dramatically, Yoko tries to retrace the composer's long-ago travels in Tokyo while he falls nearer and nearer into Hajime's orbit — an orbit he inevitably makes, I suppose, what with all those train rides.

In an actual Ozu picture, this would have turned into a matter of life and death, or at least the family would have treated it like one. Hou makes confusion the presiding emotion

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